ABSTRACT
The objective of this research to analyze the pre and post-production techniques of music DJ’s, and how those techniques apply to new media artists in the post-modern age. By looking at the practice of Paul D. Miller, a.k.a. DJ Spooky, I will critique how fragmentation and reappropriation in the digital age redefines the roll of the artists, the notion of ‘collage’, and may dissolve the line between ‘high’ and ‘low’ art.
